ENTERPRISE
and extraction across light-years and centuries (unexplained) History is already 'changed' in the 22nd Century; Archer & T'Pol prevent a different disastrous change in 2004 It's an old legend among trekkies that "Spock's Brain" was really a joke script Gene L. Coon passed around for laughs, since it has every cliche of bad SF writing imaginable but the Original Series' third season was so desperate for scripts it got shot anyway. "Carpenter Street" is this season's "Spock's Brain". It's worse, really, because its faults are all joyless and oppressive. For the first seven minutes or more, we follow the tawdry life of one Loomis (Leland Orser) a slimewad in 2004 Detroit, who kidnaps people for money. We (but not he) discover his employers are reptilian Xindi, but apart from that, all we're treated to is a long, slow scene of Loomis slouching his way through his abuse and theft of a young streetwalker's remaining freedom. Then it's time to get the time travel over with. Archer is foreshadowingly feeding cheese to his dog when Daniels appears. Daniels spends five screen minutes unloading so much time-travel-Trekspeak, weaving a tale of time-woe so absurd, as to make you wish Archer would just eject him and the contents of his cabin into deep space. Here's the lowdown:
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So Archer chooses to risk bringing another alien to pre-First Contact Earth: T'Pol! As if to rub her nose in the whole stinky beagle-pile of illogic. Even Dr. Phlox would have been a more logical choice, since they're facing an alien bioweapon. And Phlox disguised in 'hood threads and trying to hang with the 8 Mile crowd could have injected the humor this diseased episode was starved for. T'Pol voices skepticism, not over time travel itself, but over the means and consequences. Doesn't Daniels have "all the time in the world" to fix the problem? (And how about having to fight a wider time war with the Xindi?) Archer has no useful explanation apart from the fact Daniels gave him some retrieval dots a la Time TRAX which will bring themselves, and any other anachronistic stuff they find, out of there. Quarter of the way into the show, and it's clear that on the issue of time travel, the writer/execs Berman and Braga have punted. The attitude seems to be that once they stamp "time travel" on an ep, they no longer have to care what the viewer thinks they're doing with it. An episode stamped "time travel" assures good ratings for no brainpower. Archer and T'Pol ready themselves, then step through a door on the Enterprise, and out onto a Detroit street at night. A nice clean segue, but now our heroes are out solving a run-of-the-mill procedural, and are just time police. ...Or make that time secret police, since their first acts are to callously steal money and a car in pursuit of their 'greater good'. This is not the Star Trek I grew up on, where a transgression against the innocent (like Edith Keeler) made for a core of dramatic tension; today, the best we're given is a demonstration of interrogation torture as fodder for a stupid laugh. (Archer captures Loomis at one point, but has him untied in order to punch him, explaining that it otherwise wouldn't "feel right". After the beating under this false chivalry, he's tied up once more. The moment Loomis prevaricates again, Archer barks, "Untie him!" eliciting cooperation from Loomis and an unwelcome snicker from the audience at the psy-ops of the fallen show.) Perhaps Berman and Braga and the rest working up these garbage-ethic scripts think it's just a darker take on the formula the Captain and his Vulcan go back in time and fight the bad guys. Kirk and Spock stole clothes in "City on the Edge of Forever," didn't they? Much has been made of the new "darker tone" on Enterprise, but simply switching the hero from the one being tortured to the one torturing is the antithesis of everything Trek has ever stood for. Worst of all, the episode passed everyone's final checklist of necessary elements (Budget-saver script? Check. Inserts featuring the PAs? Check. Stamped "time travel"? Check.) But no one noticed (or dared point out?) that the plot and story are a minefield of senseless actions and dialogue. Here's a short list of pain that has nothing to do with travelling time:
Trek has been able to handle suspense and mystery plots in the past. "Carpenter Street" shows no professional interest in either, and comes off as an exercise in attention deficit disorder. Maybe that's the only message to come from Enterprise: Don't even try to figure anything out. Silence your intellect and your beliefs. Just buy the merch, kids, and forget why you bought it, then buy it again. Perhaps a "franchise" shouldn't be expected to stand for anything. It becomes more apparent with every season that the world Berman, Braga and company are building for Archer will only lead to one where Spock wears a goatee.
Review added 2003.11.28
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